The Doctor is a Time Lord: a 900 year old alien with 2 hearts, part of a gifted civilization who mastered time travel. The Doctor saves planets for a living—more of a hobby actually, and the Doctor's very, very good at it.

A motley group of London con artists pull of a series of daring and intricate stings.

Lee is a childish northerner who lives in a fancy penthouse apartment in London who goes through a variety of jobs such as a janitor and ice cream man, as well as attempting relationships with female flatmates. His best mate, Daily Mail reading, middle-class citizen Tim is always there to stop Lee from getting in trouble, or not? Mayhem is never far away with cleaner Barbara who has never done an honest day's work in her life.

In a parallel present where the latest must-have gadget for any busy family is a 'Synth' - a highly-developed robotic servant that's so similar to a real human it's transforming the way we live.

Our Urban Myths are stories that have been passed down over time and have now become part of urban folklore. But are they true? We take a slightly tongue in cheek, mischievous – and deliberately ambiguous – look at what might have happened...

Set in London, where gratification is only an app away, the story centers on Arabella, a carefree, self-assured Londoner with a group of great friends, a boyfriend in Italy, and a burgeoning writing career. But when her drink is spiked, she must question and rebuild every element of her life.

The story of one of the most infamous cases in UK criminal history, that of serial killer Dennis Nilsen. Told through the prism of three men, the series explores the personal and professional consequences of coming into contact with a man like Nilsen.

Doctor Joseph O'Loughlin a man who appears to have the perfect life and a successful career as a clinical psychologist. But nothing can be taken for granted, even the most flawless existence is only a loose thread away from unravelling.

A young author comes into possession of a manuscript sent by critically acclaimed writer, Germund Rein, shortly before he commits suicide.

Nineteen-year-old Vera Kall cycles home through the night. She arrives at a farm, leaves her bike and sneaks quietly in through the door. She enters the kitchen and doesn't even have time to notice that she's not alone.

What is a human life worth? How is it possible that a woman like Agnes could agree to kill another human being? Is it the money? Or are there other forces at play?

Ray, a twelve-year-old boy, must confront the British legal system when he is accused of murder.

A woman risks everything to try and protect an asylum seeker in a totalitarian society in which all borders are militarized.

In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.