Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

Bekim and Anita are getting married, but Anita is unaware that Bekim is still in love with his best friend Nol. The Marriage charts the emotional predicament of the man who has strong feelings for two persons. There is great pressure to marry and only mild support for LGBTQ rights in Kosovan society, so Zeqiri’s film, which unashamedly puts same-sex and heterosexual passion on the same plane, is a forceful step in the right direction, as well as a dynamic portrait of romance and deception in the shadow of war.

Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.

The friendship of two boys is tested to its limits as they battle for survival during the Kosovo war.