Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

Annual awarding of the Grimme Awards.

No synopsis available yet.

An investigation into the nature, details and reasons for the collaboration, from 1940 to 1944, during World War II, between the Vichy regime, established in the south of France and headed by Marshal Pétain, and Nazi Germany.

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

No synopsis available yet.

Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

No synopsis available yet.

The story of a group of students' involvement with a group who oppose the French-Algerian war.

In 1912, in Austria, the painter Egon Schiele is sent to jail accused of pornography with the nymphet Tatjana in his erotic paints. His mate, the model Vally, gets help from a famous lawyer to release him. Then he leaves Vally, marries with another woman and goes to the war.

Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape—with U.S. help—to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.

We follow Marcel Ophuls' two journeys to Sarajevo in 1993. He is starting a documentary about war correspondants. But this also becomes a reflexion about truth and life. The form consists in many interviews of mostly French and American journalists and reporters of television or newspapers.

In a series of four documentaries, Marcel Ophuls pays tribute to his father Max, and in this last one discusses his role as an assistant director on "Lola Montès".

The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.

Claude Lanzmann discusses the long and difficult process of researching, shooting, editing, and presenting his groundbreaking and influential documentary, "Shoah" (1985).

In 2009, in a small theater in Geneva, Switzerland, the film directors Marcel Ophuls and Jean-Luc Godard met for an unusual, surprisngly intimate and sometimes contentious dialogue with each other in front of a live audience. Luckily for us, it was filmed.

A 1965 episode of the French television program Cinéastes de notre temps, featuring interviews with many of film director Max Ophuls’s collaborators

Television film