Television drama series which has been broadcast on RTP1 of Rádio e Televisão de Portugal from 2007 to 2011 and since 2019. It recounts the experiences of a middle-class family, the Lopes (Portuguese: Os Lopes), during the last years of the Estado Novo. In February 2019, RTP announced that the series, after eight years shelved, would be renewed, with the storyline moving firmly into the 1980s. The first episode of the sixth season was broadcast on 7 December 2019 with the Lopes entering 1984.

A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

How far can a father go to guarantee a world of happiness to his daughter? On the day when everything changes and the past emerges, a family adrift and its network of unlikely friends will be reunited in Lisbon. A Blue Lisbon, full of undoing knots.

A small town in Portugal becomes engulfed in a web of political intrigue when a young engineer is recruited as a KGB spy in this historical thriller.

No synopsis available yet.

The series develops around cases of homicides that occurred during the summer, at the time of the economic and social crisis that affected Portugal.

In dystopic times, after a law that prohibits laughter was approved, people live in an environment of fear and mistrust. The freedom to express any kind of joy in public no longer exists. As part of the resistance, a group of actors and scriptwriters decide to create a clandestine movement allowing people to laugh in secret. Everything else is noise.

A collection of six distinct stories drawn from a rich and extensive body of folklore that narrates Iberian mythology. This epic series weaves a tapestry of myths and tales while tackling fantasy, horror, humor, and drama.

The disappearance of his wife leaves Fernando, a quiet geography teacher, completely devastated. Aimless, he assumes another man’s identity as a gardener on a Portuguese estate, where he forms an unexpected friendship with the owner, stepping into a new life that isn’t his own.

Every week, five friends get together for dinner. But what these five friends don't know is that they are fictional figures. What they say and do is not up to them. With each episode, we witness a different version of that same dinner.

Short film by Eloy Serén

No synopsis available yet.

In a new land where everyone receives a new name and begins again without a past, Simón takes responsibility for David, a child he met on the crossing to a new life. Driven by an inexplicable conviction, he sets out to find the boy’s mother despite the fact David remembers nothing about her. When he recognizes Inés as the right woman, she accepts the role and an unlikely bond forms between them. While society imposes rules and treats difference as a threat, David resists being shaped and stands for imagination and freedom.

A family with a long history (and many members) gathers around a table in a mansion in southern Portugal. The region has transformed from a depressed area into a thriving tourist destination. Kisses, hugs, and greetings quickly turn into complaints and reproaches surrounding the big issue: What should be done with Daddy’s house? It is a tempting piece of cake, laden with rich family memories. But progress cannot be stopped.

No synopsis available yet.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

A contemporary reinterpretation of the tradition of pilgrimages in the Azores, historically carried out exclusively by men. In the film, a group of women make a pilgrimage to the island of Pico; along the way, one of them disappears, raising questions about their individual and collective existence as female bodies. These are bodies that literally walk to break the bubble of passivity, guided by action, ritual and resistance.

Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

October 2019, Great Yarmouth, Norfolk (UK). Three months before Brexit. Hundreds of Portuguese migrant workers pour into town, seeking work at the local turkey factories. Tânia (The Mother of the Portuguese), a former worker in these poultry plants, is now married to an English hotel owner. She is the perfect facilitator for the Portuguese workers, but dreams of becoming a British citizen and leaving this dirty business behind by transforming her husband’s derelict hotels into refurbished senior citizens homes.

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.