Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey.

Biopic about Father Damian and his life and work on the island of Molokai.

The daughter of a Brussels restaurant proprietor prefers the company of a young man from Paris, to that of her compatriots.

Eugène, who works for Radio-Europe, is a bit dim-witted. He lives in a block of flats whose caretaker is Madame Motte, and the lady is in love with the young man. Just for laughs, Eugène's friends circulate on the air the rumor that Eugène has inherited millions of francs. It does not take long before a swarm of 'friends' start mixing with him. After a while, considering that the joke has lasted long enough, the jokers reveal the truth. Eugène immediately loses all his 'friends' but not he girl he loves. Even better, Eugène actually inherits a big sum of money. He who laughs last laughs best!

Smuggler's Ball is the English-language title for this French-Belgian seriocomedy. The action takes place along the borders separating Belgium, Holland and France. It is here that the worldly Pierre (J. P. Kieran) carries on a profitable smuggling operation, all the while romancing Siska (Christian Lenier), the daughter of a local customs official. Various subplots and secondary characters weave in and out as the plotline guides the viewer through the WW II years. Towards the end, the story shifts gears when the Benelux Frontier Agreement eliminates all government regulations. The film's screenplay is by Charles Spaak, himself the descendant of a Belgian political family, and thus well-versed in bureaucracy and red tape.