The third installment of the “Law & Order” franchise takes viewers deep into the minds of its criminals while following the intense psychological approaches the Major Case Squad uses to solve its crimes.

Alicia Florrick boldly assumes full responsibility for her family and re-enters the workforce after her husband's very public sex and political corruption scandal lands him in jail.

Follows the lives and families of three adults living and growing up in the United States of America in present and past times. As their paths cross and their life stories intertwine in curious ways, we find that several of them share the same birthday - and so much more than anyone would expect.

A successful New York entrepreneur lives a double life as the head of a drug empire that serves only the rich and influential, all while wanting to escape the underworld and keep his family safe.

In the wake of the Coronavirus pandemic and theatres across the world closing their curtains indefinitely, SiriusXM host Seth Rudetsky and his husband, producer James Wesley have created Stars in the House, a daily live streamed series to support The Actors Fund and its services.

An unlikely friendship. A lost love resurfaced. A marriage at its turning point. A date that might not have been a date. An unconventional new family. These are unique stories about the joys and tribulations of love, each inspired by true events.

After her life falls apart, soft-spoken actress Laura Franco finds her voice again when she meets a terrifying, yet weirdly charming, monster living in her closet.

The story of several friends in New York City facing financial poverty, homophobia, AIDS, and, of course, rent.

The award-winning show is re-imagined as a live concert event, featuring an all-star cast of recording artists, set during the last week of Jesus' life as he deals with betrayal, love and jealousy, and told from the perspective of Judas.

60 years ago, on May 3, 1960, at the tiny Sullivan Street Playhouse in Greenwich Village, The Fantasticks opened on the sparsest of budgets and ran uninterrupted for nearly 42 years, closing on January 13, 2002 after a record 17,162 performances. Its elegance and simplicity endured four decades of the chaotic world going “Round and Round” while its creators continued their evolution into several uptown successes. Including 110 In the Shade and I Do! I Do!, the jewel box of creativity that is the Jones and Schmidt collaboration is perhaps the most steadfast of its kind.

The Financial Director for a democratic super PAC behind a frontrunner presidential candidate investigates donations, uncovering a conspiracy.

Orphaned by A.I.D.S., South African children Ibutho and Umsindisi SIlongo try to make a fresh start in the United States. What they do not know is that their struggles are far from over.

This program is set among excerpts of letters and archival interviews with George Gershwin and his brother and lyricist Ira Gershwin, his longtime musical collaborator Kay Swift, and the legendary pianist Oscar Levant. The words of Todd Duncan and Anne Brown, the original Porgy and Bess, provide an intimate perspective on the creation of Gershwin’s “folk opera” and the invaluable contributions of its performers. Peppered among hits like “Embraceable You” and “Love Is Here To Stay” are pieces of essays written by George Gershwin in which he pondered and pontificated on the meaning of “jazz” and the definition of “music” itself. Asserting his constant effort to eschew genres, Gershwin wrote: “From any sound critical standpoint, labels mean nothing at all. Good music is good music, even if you call it ‘oysters.’”

The story of three friends who shotgun South and meet the "real America."

The groundbreaking works of Richard Rodgers, most famously in his collaborations with Lorenz Hart and Oscar Hammerstein II, gave us the foundation of the modern musical form. But Rodgers also left a family lineage that has enriched the craft in abundant fashion. In a loose song cycle format, this program will weave his work with the charming and witty creations of daughter Mary Rodgers (Once Upon a Mattress) and the complex and extraordinary palette of grandson Adam Guettel (The Light in the Piazza, Floyd Collins), as we look toward the progression of musicals over the decades and into the future.

As a celebration of our performers, and the necessary medium of film to tell these stories at this moment in time, this special program presents some of the best songs specifically written for film ever since the genre first achieved the technology to capture sound. A diverse concert of hits like “Moon River” and “The Man That Got Away” mixed in with other songs from decades of film history offers a look at the effect of these songs on an audience and how, even in a non-musical film, music is key to unlocking the emotional journey of storytelling.

It is said that Jule Styne published over 1,500 songs in his lifetime, a staggering number that spans decades and includes dozens of collaborators. Beginning with Sammy Cahn in the 1940s, his lyricists would include names like Betty Comden, Adolph Green, Leo Robin, Bob Merrill, and Stephen Sondheim. Styne wrote some of our most famous songs and classic Broadway hits, with a multitude of lesser-known work along the way. The lasting power of star vehicles like Gypsy and Funny Girl has remained throughout every sea change of cultural mood and sentiment.