Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Philippe Herreweghe himself, and superb soloists they perform Dvorak’s Requiem. A modern and stylistically flexible symphony orchestra, the Royal Flemish Philharmonic demonstrates an artistic flair which allows for a variety of styles and occupies a unique position in Flanders. Collegium Vocale Gent were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals all over the world.

George Frederic Handel's oratorio Theodora, in its first-ever staged version at the Salzburg Festival, was among the highlights of Handel Year 2009. Acclaimed director Christof Loy presented Theodora as the profoundly moving tale of a woman who prefers death to denying her faith, an interpretation captivated with bravura by world-renowned video director Hannes Rossacher. A luminous Christine Schaefer and countertenor Bejun Mehta formed a perfect leading couple altogether suited to conductor Ivor Bolton's vigorus reading.

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The traditional Christmas concert enchants every year with classic and popular Christmas music from all over the world. The most touching program highlights of the Vienna Christmas Concert.

Gustav Mahlers Gigantic Symphony No. 2 in C minor usually lls out a concert on its own. But in this recording with the Bayerischen Rundfunks' Symphonieorchester (Bavarian Radio Symphony Orchestra) under its principal conductor Mariss Jansons , the work is introduced by an exquisite and tting choral work: A contemporary (1982) 16-voice arrangement of a song by Mahler, Ich bin der Welt abhanden gekommen, based. on a poem by Friedrich Rückert and originally composed for voice and orchestra in 1901 performed here by the superb Chor des Bayerischen Rundfunks (Bavarian Radio Choir).

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In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. For the renowned conductor, this Weimar concert is a special performance, marking the start of his Bach Cantata Pilgrimage. With this new interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music. Including two complementary documentaries: J.S. Bach: Jauchzet, frohlocket! An Introduction to the Christmas Oratorio presenting the best performers in their field, including John Eliot Gardiner, the Monteverdi Choir founded by him, the English Baroque Soloists, as well as other internationally-known vocal soloists.

Nikolaus Harnoncourt leads the Concentus Musicus Vienna and Arnold Schoenberg Choir in a concert of Bach music at Austria's Kloster Melk Benedictine Monastery. Works included in this celebration of the coming of Christmas are Cantata BWV 61, "Nun Komm, der Heiden Heiland"; Cantata BWV 147, "Herz und Mund"; and Magnificat in D Major BWV 243. Soloists are Christine Schafer, Anna Korondi, Bernarda Fink, Ian Bostridge, Christopher Maltman. With the Concentus Musicus Vienna and the Arnold Schoenberg Choir.