Thiruneelakantar is a 1939 Tamil-language film directed by Raja Sandow and starring M. K. Thyagaraja Bhagavathar. The film was a big hit and was known for M.K. Thyagaraja Bhagavathar's acting apart from his songs. Famous nadaswaram artist T. N. Rajarathinam Pillai makes a guest appearanace in the movie.The film was based on the life history of Thiruneelakanta Nayanar, one of the 63 Nayanmars.

Chintamani (Tamil: சிந்தாமணி) is a 1937 Tamil-language film directed by Y. V. Rao starring M. K. Thyagaraja Bhagavathar, Serugulathur Sama and Aswathamma.[2] It was the first Tamil film to run for a year in a single theatre. Chintamani was based on the legendary story of a Sanskrit poet and devotee of Lord Krishna named Bilwamangal (M. K. Thyragaraja Bhagavathar). Bilwamangal, a resident of Varanasi, was a Sanskrit scholar, who gets infatuated towards a courtesan called Chintamani (Aswathamma), a woman of ill-fame. As a result, he deserts his wife. However, Chintamani is an ardent devotee of Lord Krishna (Serugalathur Sama) and spends most of her time singing bhajans in praise of Lord Krishna. His attraction towards Chintamani eventually draws Bilwamangal closer towards Lord Krishna and transforms his life forever. Bilwangal, himself, becomes a devotee of Lord Krishna and pens a monumental Sanskrit work Sri Krishna Karnamritam.

The film is based on a story set in the Chola Empire in year 1083 AD. The titular character in the story is Ambikapathy (M K. Thyagaraja Bhagavathar), the son of the Tamil poet Kambar (Serugulathur Sama) who is in love with the Chola princess and daughter of Kulothunga Chola, Amaravati (played by M. R. Santhanalakshmi). The king objects to their love and insists on testing Ambikapathy's literary mettle before judging his worth. The test given to Ambikapathi is that he should write and sing a hundred poems in the field of Puram (dealing with war and politics). The poems should not have any reference to the field of Aram (dealing of love and romance). Ambikapathi begins the test in the King's court with a Kadavul Vaazhthu (invocation to God). Amaravathi who is keeping the count, mistakes the invocation as a poem and counts it as poem number one.