An avant-garde adaptation of the play by Georg Buchner about the last days of the Dantonists, representatives of the right wing of the Jacobins during the French Revolution. The director freely experiment with form and content, draws parallels with the present day and raises the question point-blank: why does the revolution, like the ancient Greek titan Kronos, always devour its children?

Among schoolchildren there is a legend about the so-called lost place, according to which everyone who buys a movie ticket to this place is waiting for death. None of the guys believe in it, but a series of brutal murders makes young people think, as a result of which they begin their own investigation.

An emergency occurred at the school. An elderly, distinguished teacher suffered a heart attack and was hospitalized after an article was published in the newspaper containing unfair accusations against her. When a new teacher arrived in the tenth grade, one of the students decided to restore justice.

Two friends are looking for themselves in music, in the world.

All day long the TV shows an ice-hole. Ice-holes are the theme of the day, a winter tradition that unites believers and sportsmen, stars and walruses, the president and the unemployed. In the centre of the news reports are the topics of Baptism, fishing and the criminal chronicle. The president and a pike, the artist and the crit- ics, the oligarch and the law enforcement team – they all meet at an ice- hole in search of solutions for their problems. The jobless Muscovite, with bad habits, dives down an ice-hole for a wife, just like Sadko. The fairy- tale plots intertwine with documentary context, and it is no longer clear where reality ends. Remember Nietzsche: if you long gaze into the abyss, the abyss will also gaze into you.