A stand-up comedian and his three offbeat friends weather the pitfalls and payoffs of life in New York City in the '90s. It's a show about nothing.

An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.

When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a drifter working as a grounds keeper on a derelict army base, who takes them in. While Violet falls for him, Rosie becomes increasingly angry and hostile, and the sisters' childhood bond is eventually destroyed forever.

The sun's too bright, the traffic's going to be bad, there's too many people out there... It's just easier to sit back on the couch and laugh with Richard Lewis.

Tennessee William’s masterful melodrama about an aging movie star who, appalled by her own image on the screen, flees from her movie premiere and goes into seclusion, becoming entangled with a much younger hotel masseur and resident gigolo.

Limbo is the story of a man in search of his identity. Through a series of events and broken relationships Bill tries to find meaning and purpose in his life. In the end he realizes that he can run from his life, but not from himself.

Having missed several deadlines, and with the studio's attorneys hassling him, screenwriter Elliot Callahan (Tom Gilroy) takes the advice of his agent and rents a beachside house on the island Nantucket to find the peace and quiet he needs to get the creative juices flowing. There he meets the seriously intense Henry Carver (Matthew Dixon), who's written a screenplay he wants Callahan to read. Before long, Callahan suspects that Henry might be a serial killer writing about himself and that his screenplay is worth plagiarizing.