A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

The story of a poor student from a village in Sri Lanka who was sent to a wealthy school in the country's capital city.

Uthuru Sulanga unfolds an unknown side of life of a person who seeks refuge in a then boarder village in the dry zone of Sri Lanka. The village has just buried all the memories of the staggering Northern war. He (Sunimal) finds shelter in the house of chieftain of the village 'Ralahami mama' who does not bother about his past but present. Sunimal whilst trying hard to get over his indelible memories of war, faces his second battle of life as he couldn't resist the charm of Yasho, Ralahami mama's daughter. When he loses his battle, the dark shadows of an unforeseen future surrounds him....again. Yet he has to discover himself, his real family and his future.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.