When John Harlow loses his sweetheart Jenny Larkin as a result of poverty, he vows never to be broke again and leaves town. He moves to the city, and several years later, after pinching his pennies, he becomes financially successful. One night, while at a dance hall, he runs into Jenny who is now employed as a dance hall hostess. Jenny decides to fleece John and sets him up with Laura, one of her colleagues. Laura is innocent of the scheme, and she and John fall in love. Jenny becomes jealous and attempts to reclaim John by telling him that Laura is having an affair with Richard Crane. John believes her until he discovers that Crane has just married Laura's mother. He proposes to Laura, and she accepts on the condition that he relinquish his spendthrift ways.

Big Hearted Jim, the sheriff, loves the tomboyish Nugget Nell ( Dorothy Gish ), who runs a hash house in the mining country, but although she has romantic feelings, they are not aroused by Jim. Nell agrees to an old miner friend's request to care for his "child," Nell is shocked to meet the six-foot girl, but she cares for her just the same. Nell falls in love with the City Chap, out West to look after his mining property, but he barely notices her, having become intrigued by the Ingenue, whom he met on the stagecoach. The jealous Nell steals stylish clothes to allure him, but she has trouble walking in French high-heels.

John Kavanagh, a Maine lumberman, clashes with Stephen Marthorn, owner of a spruce-logging company, when Marthorn orders his men to make their drive before Kavanagh can get his logs down the river.

A young woman is so superstitious that she cannot make a move or a decision without the approval of the cards or the stars. Pursued romantically by two men, one virtuous, the other villainous, the cards point her toward the villain. Which will she follow, her cards or her heart?

Laura Bruce is married to John Bruce, police commissioner. She discovers her husband is enjoying a drunken revel with another woman, and vows she will obtain a divorce. After doing so she weds Paul Ramsey. His employer, Dick Turner, a libertine, offers his a responsible position in the west, and she faces a long separation. Ramsey later learns that Turner is interested in his wife and engages a man to protect her, who happens to be her former husband.

Polly has herself arrested and committed to a reformatory in order to investigate conditions at the institution, after the committee charged with the investigation whitewashes the facts.

Victoria marries David, the man of her dreams. After a number of years and two children, the marriage turns out not to be what she had expected. Then she discovers her faith, and everything turns out for the best. In several scenes Victoria has visions of love and marriage throughout history: she appears in the Stone Age, with a tribe of Amazonians, in the Middle Ages and in the Roman era.

School for Wives is a 1925 American silent drama film directed by Victor Halperin and starring Conway Tearle, Sigrid Holmquist, and Peggy Kelly. It provided an early role for the future star Brian Donlevy. Based on Leonard Merrick's 1907 melodramatic novel The House of Lynch, it was not well-received by critics.

Rosalie Wayne (Talmadge) meets Reginald Carter (Ford) after he introduces himself while chasing her dog with one of his oxfords, and she marries him in haste. Reggie comes down with the measles following a quarrel over her bobbed hair, not knowing he is ill she leaves for Reno and then Europe. After a year's absence and having secured her divorce, she meets Reggie again and finds him engaged to another. Jealousy arouses her to break up the match, but the wedding is progressing before she devises a means of doing so. Reggie, however, is satisfied and glad to be reunited with his Rosalie despite her sharp tongue and unusual method of winning his love.

Aurora Meredith is the daughter of the village blacksmith. Because she has a promising voice, her family does everything they can to develop her talent. A wealthy New York woman hears her sing and sends her to Europe to study. But the woman dies, and Aurora borrows money for her last year from a hot-blooded Italian man. Instead of being paid back financially, the Italian wants her love, and she rejects him.

She was a very modern young woman, was Miss Hobbs. Her ideas were about fifty years ahead of time. For one thing she hated men, thought them all brutes. But love has a way of smashing such an idea. Then she went in for barefoot dancing, futurist art and other advanced notions. Well, the upshot of it was the young man took upon himself to tame her, to make her a regular girl.