Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.

TV mini series

Fact-based story about Irish crime-investigating reporter Sinead Hamilton, who invaded the Irish underworld and attempted to expose the illegitimate activities she found. Hampered by the system, a police consort is ineffectual at aiding her despite trying to step outside of the normal bounds. Kevin McNally plays her husband, who hates her activities and the danger in which she places herself. Nonetheless, he grudgingly admires her persistence and encourages her investigation.

An impressionistic look at Irish emigrants in London, representing the emigrant's journey, a confusion of anticipation, memories and experience.

Directed by Tiernan MacBride, this short film – nominated for a Palme d’Or in 1978 for Best Short Film – is a visual representation of the Irish folk song Arthur McBride and The Sergeant, played and sung by Irish singer Paul Brady. The lyrics tell the story of Arthur McBride (Paul Bennett) and his cousin (Paul Wilson) who fight off a recruiting sergeant (Godfrey Quigley) when he tries to enlist them in the British army.

In pre-famine Ireland, when poverty and magic were rife, introverted farm girl Maura discovers a magical world of the imagination through the mysterious wanderer Scarf Michael. When her isolated rural community accuses her of witchcraft, she turns to her own supernatural powers for protection.

Mixing classroom dramatization with documentary material, interviews with former students who recall barbaric punishments in the name of learning, and a 1932 newsreel of a triumphant Catholic congress in Dublin, this piece poses a challenging and controversial exploration of the Christian Brothers' education system in the 50s.

Traffic is delayed on the edge of a roadwork site, but what are the council workers doing? A privileged encounter with a secret somber ritual of working men. This is the second in Andrew Kavanagh’s trilogy (after the successful "At The Formal’) exploring tribalism and ritual in contemporary society.