Average student and eternal optimist Lloyd Dobler seeks to capture the heart of Diane Court, a beautiful but unattainable valedictorian classmate. He surprises just about everyone - including himself - when she returns the sentiment. However, Diane's divorced, over-protective father soon begins to disapprove of the match, and Lloyd realises that it's going to take more than just the power of love to conquer all.

The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.

A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

A visceral deconstruction of Academy Award nominated Peter Bogdanovich and the nervous breakdown he nearly had while shooting THE LAST PICTURE SHOW.

A look at the lives of several struggling L.A. musicians. Gwen, a singer-songwriter, is on a quest for the big-time. Working as an assistant to a film production designer, Gwen tries to steal her boss' boyfriend, a veteran rock producer. The producer, meanwhile, is trying to orchestrate a comeback for an '80s band.

Interviews with individuals involved in the making of Wes Anderson's 1996 film "Bottle Rocket."

Peter Bogdanovich recalls how Tatum O'Neal was chosen to play Addie, and discusses Alvin Sargent's script, the shooting of select sequences in Kansas, the title of the film (which was enthusiastically endorsed by Orson Welles), etc. Also included are comments from production designer Polly Platt and associate producer Frank Marshall.