Rein is a successful singer but he and his group have a reason to worry – because of their worn-out repertoire their popularity is in danger. Philharmonic is already searching for new talents. When Rein hears a wonderful soprano voice from the concert hall, he will offer a remarkable young lady - whom he considers to be the owner of the voice - the opportunity to perform. Rein has no idea that actually the voice belongs to another girl whom he has once met in a quite extraordinary situation and who has introduced Rein's new song to the whole town.

Tõnis Hoopkaup is the head of a fishing collective in Tagaranna, a village on the Estonian island of Saaremaa. On the day of his wedding to fishing engineer Riina, he receives two important presents – a new trawling net, which he hopes will help him sail past rival collectives, and a cigarette case with an anchor on it. The case reminds him of his soaring pre-war dreams, when he was in love with the daughter of the most powerful man in Tagaranna. But her hard-hearted father put paid to their wedding plans. Now the bookkeeper Lauer has moved into the old house with his sister Lidia, and Tõnis wants to get close to her, as close as he once was with his great love … The personal and professional misconduct of a functionary who risks foundering morals is at the centre of love triangle drama featuring a wealth of local colour and complex characters.

Russian prisoners of war commandeer a tank and lead the Nazis on a cross-country chase in this World War II adventure drama. The Russians use their own tanks so the Nazis can use them as target practice to test a new anti-tank weapon. Knowing that death is near, the brave Russians run amok and tear down German monuments before heading out to a field where female slave laborers are working.

The story of the distressed residents living in poor slums during the economic crisis of the first Estonian Republic in early 1930s. It is the life in the backyard both literally and symbolically. Based on the story "In the Backyard" by Oskar Luts and the drama play directed by Andres Särev.

The way Saint Peter explains it to the Devil who's knocking on Heaven's door to collect his share of souls: there will be no more souls, as God has come to doubt if humans are really meant to achieve salvation. If they aren't then how can they be punished posthumous and sent to Hell? There's only one way to make sure if sinning is the human nature, or is it that they simply don't want to better themselves - Devil himself must go down to Earth, in human form, and if he can achieve salvation then so can a human being... Based on A. H. Tammsaare's classic novel of the same name.

When Paul Runge, a soldier of the Red Army, returns home to Koordi after the war, he sees that, despite the new regime, life in Koordi hasn't changed. It's still a abandoned, uncultured Estonian village, where rich landlords still oppress the population. Runge starts talking about founding a kolkhoze.

After a long night with his old war buddies, Andres Lapeteus regains consciousness in the hospital. How has confusion, bewilderment and alienation developed between these men who once fought together side by side? Is this the inevitable result of the Stalinist regime, the influence of his social climber wife, or the effect of his personal cowardliness and conformism? What happened to Andres Lapeteus?