Miles Davis – Montreux Jazz Festival (1989) captures the legendary trumpeter's electric-era performance at the Casino de Montreux on July 21, 1989, as part of the annual Montreux Jazz Festival. The set brought together a tight band featuring Rick Margitza (tenor sax), Kei Akagi (keyboards), Adam Holzman (keyboards), Joe "Foley" McCreary and Benny Rietveld (basses), Ricky Wellman (drums), and Monyungo Jackson (percussion), with a guest appearance by Chaka Khan on "Human Nature". Nestled in the electric fusion phase of his career, the performance weaves together introspective originals like "Intruder," "New Blues," "Perfect Way," "Hannibal," and "Tutu," with emotive reinterpretations of pop repertoire.

Hand. Cannot. Erase. (2015) was recorded at London’s AIR Studios and saw Steven Wilson reuniting with Guthrie Govan (guitar), Adam Holzman (keyboards), Theo Travis (flute/sax), Nick Beggs (bass/stick), and Marco Minnemann (drums). “Hand. Cannot. Erase. is an album rooted in sonic and spiritual modernity… an inventive blend of bleak and brooding industrial soundscapes.” — The Guardian Hand. Cannot. Erase. is written from a female perspective; the concept and story were inspired by the case of Joyce Carol Vincent, a woman living in a large city who died in her apartment and went unnoticed for over two years, despite having family and friends.

The video documents Steven Wilson's first ever solo tour in October 2011, performed throughout Europe with a six-piece band comprising Nick Beggs on bass, Marco Minnemann on drums, Aziz Ibrahim on guitar, Adam Holzman on keyboards, and Theo Travis on saxophone, flute and clarinet. The setlist runs to 70 minutes across six tracks, closing with the 24-minute Raider II. Also included are Lasse Hoile's live visual films for Index, Sectarian, Veneno Para Las Hadas and Raider II.

In March of 2018, Steven Wilson played a sell-out three night residency at one of the world's most iconic venues: London's Royal Albert Hall. Coming at the tail end of a lengthy European tour, these concerts were the crowning achievement of an incredible seven-month period that began with the release of Wilson's fifth album, To The Bone. This release is put together from footage filmed on the final night of that run. Multiple cameras from every conceivable angle in the auditorium and on the stage, and the audio has been specially mixed by Steven in both 5.1 surround and stereo.

In 1991 the young band that toured with Miles Davis in his later years reformed for an album and a tour in Japan under the name ESP. Three years later in 1994 the band returned as ESP2. This concert, which was recorded at the Jazz Open Stuttgart in July 1994, featuring Carla Cook on vocals, includes the music of Miles Davis and forms an empathetic and lasting tribute to the legendary trumpeter.

The Raven That Refused to Sing (and Other Stories) is the third solo album by Steven Wilson, released by Kscope on 25 February 2013. Each track on the album is based on a story of the supernatural. Alan Parsons, who had previously been involved in the creation of Pink Floyd’s The Dark Side of the Moon, was responsible for engineering the album. Tracklist: Luminol, Drive Home, The Holy Drinker, The Pin Drop, The Watchmaker, The Raven That Refused to Sing

The Overview is the eighth studio album by English musician Steven Wilson, released on March 14, 2025, through Fiction Records. A conceptual epic spanning 42 minutes, the album consists of just two expansive tracks: "Objects Outlive Us" and "The Overview." The work explores the "overview effect"—a transformative cognitive shift experienced by astronauts when viewing Earth from space, leading to an overwhelming appreciation for the planet alongside a humbling sense of humanity's insignificance within the cosmos.

4 1⁄2 is a mini-album by British musician Steven Wilson. It was released on 22 January 2016. It collects songs that were written during the sessions for Wilson's previous two studio albums.

A complete document of the final concert of the European leg of Steven Wilson's hugely acclaimed The Overview tour. Recorded in front of a lively Madrid audience, the 2 hour plus show has been mixed from the multitracks by SW in stereo, 5.1, and Dolby Atmos.

The English progressive rocker embarks on his 2015 "Hand Cannot Erase" Tour,which hits The Wiltern in Los Angeles , CA , showing for one date only on 13 Jun 2015! . The English progressive rocker continues on his 2015 "Hand Cannot Erase" Tour, following the release of his album of the same name in February that year. Largely known throughout rock and metal circles, Wilson has seen four Grammy Awards; two with Porcupine Tree, one with his collaborative band Storm Corrosion and the fourth as a soloist. As well as co-founding the band Porcupine Tree, acting as its lead guitarist, singer and songwriter, Wilson has also been a member of several other bands in addition to his successful solo act. Notably he has also collaborated with other rock artists including Opeth, King Crimson, Pendulum, Anathema and Jethro Tull.

Filmed in Mexico City and directed by long-time visual collaborator Lasse Hoile during the Grace For Drowning Tour, the set is a superb representation of the spectacular live experience that Wilson and Hoile created for the tour. The shows submerged fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song. Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol.

“My fifth record is in many ways inspired by the hugely ambitious progressive pop records that I loved in my youth (think Peter Gabriel’s So, Kate Bush’s Hounds of Love, Talk Talk’s Colour of Spring and Tears for Fears’ Seeds of Love). Lyrically, the album’s eleven tracks veer from the paranoid chaos of the current era in which truth can apparently be a flexible notion, observations of the everyday lives of refugees, terrorists and religious fundamentalists, and a welcome shot of some of the most joyous wide-eyed escapism I’ve created in my career so far. Something for all the family!”– Steven Wilson Tracklist: To the Bone, Nowhere Now, Pariah, The Same Asylum as Before, Refuge, Permanating, Blank Tapes, People Who Eat Darkness, Song of I, Detonation, Song of Unborn