In Northern Norway during the 1860s, a little girl named Dina accidentally causes her mother's death. Overcome with grief, her father refuses to raise her, leaving her in the care of the household servants. Dina grows up wild and unmanageable, with her only friend being the stable boy, Tomas. She summons her mother's ghost and develops a strange fascination with death as well as a passion for living.

Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?

Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.

Norwegian miniseries based on Unni Lindell's mystery novel. Lise Sommer is haunted by her past in "Sørgekåpen" (The Mourning Cloak). Her best friend Esther Synnøve Lønn is found murdered with her throat slit. A few days later, Esther's son also disappears. When the police begin to scratch beneath the surface, it turns out that a childhood friend of Lise and Esther Synnøve is also missing. The relationship between the friends hides dark undercurrents. What really happened when the girls were little? And what are their mothers hiding? The dark threads between the characters are woven together in a dangerous pattern. Someone wants revenge, but who? And why? Cato Isaksen has a new and sinister murder case to solve.

Five Norwegians head for a cabin in the wilderness for a few days of teambuilding. But strange things start happening — especially down by the water where they find an abandoned tent. Is there someone else?

Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.

A story about a young boy, Otto, whose childhood is brought to an abrupt end when Frank, an older boy, suddenly enters his life.

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.

Little Oddemann uses every means available to find Jesus, including his slingshot. The film takes us to Norway in the late '30s, where we meet a series of burlesque and humorous characters, whose antics convince Oddemann that growing up may be a bad idea. Yet Oddemann finds there are certain rewards to being grown-up, such as partying and chasing women, that merit closer examination.

Based on the television sitcom Fleksnes Fataliteter. Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.

A gnome named Gurin wakes up with a foxtail as punishment for his practical jokes.

Based on a norwegian folk tale

Eleven year old Maria has lost her little brother to cancer. Having disappeared into herself, her mother is no longer there for Maria and her father struggles to keep the family together. Maria meets Jacob, who is the same age as she, but with a completely different attitude. Jacob is outgoing, exciting, funny and has wisdom way beyond his tender years. He gradually pulls Maria out of her shell and enables her to come to decisions which will affect her entire life.

A thought-provoking meeting between two men, a hen and the local train from Jessheim. A classic, humorous short film with a short and concise point. And the title is not randomly chosen to put it that way.

A Jewish family leaves Germany after surviving the Holocaust and heads to Norway. Mendel, their youngest son, is too young to make sense of the Holocaust but tries to comprehend his family's actions during the war and their nightmares now. His imagination frequently runs away from him.

Robert Lund (Roy Bjornstad) is a weary man, and his days as a starring saxophone player seem to be near their end. The Nazis have occupied Norway for some time, and he has been passing the time by telling his son Bobby (Erik Andersson) some tales of his previous exploits.

When his routine is broken the old man finds himself in true solitude.

Ole Aleksander plays in the hallway and disturbs his mother, who is cleaning, by ringing the doorbell. He gets his own key, but that only leads to more complications.