At a supermarket, Magno watches over boys with backpacks as they go along the corridors. Meanwhile, the night drags on slowly for Bismarck, a cashier.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

Within a society that reviews its values ​​and paradigms, where power relations are put in check, the feminine and the masculine gain new meanings.

Forty years separate Maria Eugênia, or Maê, a writer from Pernambuco based out of France, from the couple Miguel and Lúcia, who has just celebrated their 40-year anniversary. Maê's return uncovers old doubts and suspicions. Miguel, a sociology professor and former political prisoner, wants to face the truth, and Lúcia, his life partner who has dedicated herself to getting him out of prison, wants to escape from it. From the point of view of these three main characters we learn about political events.