Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

New Orleans has the No. 1 per capita murder rating in the nation. A decade earlier, the city was dubbed the "Murder Capital of the Country". Drugs and violence controlled the streets, taking a toll on the city's law enforcement, neighborhoods, and its people. "Death Toll" illustrates this dark chapter in the city's history.

AJ and his homie Trip are determined to throw the hottest block party of the summer, for the third year in a row. This year there will be more obstacles than ever, but nothin’ can stop these boyz from having a good time.

Joe Joe has just opened up his very own rim shop and things are going well until an evil loan shark comes to collect an old debt. With no money in the bank Joe Joe has 24 hours to come up with the cash or he loses everything.

New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and — if the stars aligned — the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.