Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

A group of social welfare workers led by their new director tries to provide necessary aid to people struggling with various problems.

The dark world of crime: murders, racketeering, drugs, kidnappings. There are no rules here. Working in this world makes cops cynical and ruthless. There is a fine line between them and criminals - will any of them cross it? The main characters are officers from the Department for Counteracting Criminal Terror and Homicides. The action of the series is an extension of the threads that appear in the feature film. It presents in a realistic way the brutal and dark world of crime that officers encounter on a daily basis. They're not just tracking down murderers. They fight racketeering, kidnapping, drug trafficking while struggling with their own day to day life and problems.

The original, 8-episode series by eminent theatre artists - Monika Strzępka and Paweł Demirski about what is going on behind-the-scenes of one of the muncipial theatres in Warsaw. The story also can be read as an ambiguous metaphor, where artistic problems of cultural activities and hard economic conditions meet.

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Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality.

Years later, Lena returns to Poland, accompanied by a French journalist, to learn the truth about her father.

In a series of linked stories, women navigate and challenge a dystopian future ruled by sexual duty, emotional repression, and patriarchal dominance.

The tale about last years of the legendary Home Army commander, General August Emil Fieldorf "Nil".

The main character is a 12-year-old boy named Michał brought up by a despotic father. But one day he receives an unexpected gift from his father...

Two women meet in the hospital.

The writer Zbigniew takes part in a psychotherapeutic session, during which he tells his story.