The Girl with a Patron (German: Das Mädchen mit der Protektion) is a 1925 German silent comedy film directed by Max Mack and starring Ossi Oswalda, Willy Fritsch, and Nora Gregor. It was one of a number of popular comedies released by UFA during the era alongside its more prestigious art films.

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the dollmaker’s flesh-and-blood daughter in disguise.

An extremely jealous artist slips into a monkey costume and kills all those men who come too close to his wife, another artist.

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.

The Girl on a Swing is a 1926 German silent film directed by Felix Basch and starring Ossi Oswalda, Harry Liedtke, and Lotte Lorring.

Silent romantic comedy set on a train.

Es zogen drei Burschen (1928) is a German silent comedy film directed by Carl Wilhelm. Also known by its alternative German title Drei Seelen und ein Gedanke, the movie is a lighthearted farce famously featuring an early-career performance by the legendary actor Hans Albers.

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A millionaire daughter is to be married to a man unknown to her. To get to know him, she slips into men's clothes, sticks on a mustache and is hired as a chauffeur.

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Prince Sami comes from Nigeria and is an uncivilized "nature boy." He is sent to the highly civilized court of Duchess Maria of Arragon, where he initially causes chaos. In the end, however, he becomes the duchess's husband.

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The new artistic director Dr. Fersen is appointed at the princely court theater in Dillingen. He is not only attractive, but also a bachelor, which delights the local women. But even the men of the town suddenly show an affinity for the theater, as a new prima ballerina has been hired in the form of the dancer Ossi. Prince Adolf himself is delighted with Ossi and never misses one of her performances. The envious are not long in coming, especially the president of the Dillingen Women's Association is suspicious of the current events. This is hardly surprising, as an unwritten law in Dillingen states that the theater's prima ballerina must be married. This suits Ossi and Dr. Fersen, as the two have been seeing each other in secret for some time. The marriage is quickly arranged. The only downer for the couple is that the Dillinger's interest in art has suddenly disappeared. Lost.

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A young woman is forced by her father to marry a man she doesn't love and flees before the marriage takes place. In a small village she falls in love with a young man, but her father disapproves of the match.

Sally Meyer, a young Berliner, persuades his Doctor to convince his wife that he is ill, so that he is able to take a holiday in the Austrian Alps.

The fun-loving laundress Mieze spends a romantic evening with the womanizer and fashion designer Max, who, however, wants nothing to do with her the next day. This only changes when Mieze appears to be the daughter of a count and "Countess Radebeul" moves into the elegant Hotel Bristol. After all sorts of complications and embarrassments, the countess turns out to be a misunderstanding, and Mieze and Max find each other after all.