Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

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10-year-old Kathy Montag moves to a big city in Brandenburg. Before that, she lived in the Harz Mountains together with her father Peter. Her mother has died a few years ago. The girl finds her new home very exciting, and since Kathy takes an interest in everything she encounters, she keeps finding herself in peculiar situations such as a brigade party or the shooting of a historical epic movie. Her classmates consider her an oddball and even her father is unhappy about his daughter′s development.

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She is called Dona Juanita: the attractive young architect Anita Nachtigall, who manages a department on a large construction site with great success. She is said to have had many affairs and, so it is said, the death of a certain Sawallish. The evil afterspeech puts Anita so that she announces her place. But a young safety inspector on the job site doesn't want her to leave. He cares what really happened...

200 years ago, innkeepers Jette and August Deibelschmidt led a rapacious life. Out of greed, they repeatedly got their guests drunk in order to steal from them. When police commissioner Friedrich Wilhelm Licht tried to put them out of action, the house caught fire and all three died. In his last words, he curses the pair of thieves, saying that they will not find peace until they have done seven good deeds after 200 years.

Three members of the National Committee Free Germany form a secret commando that comes to Berlin from Minsk to take up the fight against the SS in the last days before the end of the war.

Based on a true story of inmates at KZ Buchenwald that risked their lives to hide a small Jewish boy shortly before the liberation of the camp.

Using the example of three generations of a Hamburg working class family, the rise of the working class from the founding of the Wilhelmin Empire to the First World War, over the time of the Weimar Republic and National Socialism to the destruction of the Third Reich.

Edith and Wolfgang have led a fairly harmonious family life for many years, together with their son Danilo. Edith has long since got over Wolfgang's infidelity twelve years ago, which resulted in a daughter. Every now and then he visits 12-year-old Sandra, simply fulfilling his fatherly duties. But suddenly the girl appears at the door.

A conference is to be held once again to discuss the construction of a new dam, which Professor Paul Satie rejects. During a train journey, he spontaneously leaves the train. Here in Wolfsgrün, from 1948 to 1950, he helped build the old, now far too small dam as a youth brigadier. He and the others who helped build it have erected a monument to this. A monument with his name on it. Is that perhaps why he is against the new dam?

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

A young man from an early age falls in love with a girl whose family is not in good standing with the ruling Communist party. His father however is a member of the "Stasi", the secret state police. The father not only hinders his son's relationship with the girl, but he arranges for his son, after finishing school, to become a Stasi spy himself.

Lavish adaptation of Wilhelm Hauff′s fairy tale: Young charburner Peter Munk dreams of joining the upper class. He makes a deal with the sinister Holländer-Michel, who offers to trade Peter′s human heart for one made of stone. Once he has the "cold heart" in his body, Peter eventually strikes a fortune and enjoys great wealth, but at the same time, he becomes a bitter and emotionless man – and, having lost all traces of humanity, even murders his wife Lisbeth. Only then does Peter Munk finally realize what has become of him, and he decides to regain his real heart from Holländer-Michel.

This quirky episodic comedy weaves together three plotlines centered around the employees of a car garage, with some unexpected fairytale elements to get things moving. A woodland fairy convinces shy bookkeeper Piel to suddenly start driving his Trabi far above the speed limit. Manager Neumann sells his soul to a black cat in order to purchase a more respectable vehicle. And a spirit named "Car Accident" offers to warn owner Sengebusch about upcoming traffic accidents so he can make money by always being the first on the scene.

This film is the second of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. Autumn, 1918: Somewhere on Germany’s western front, Ernst Thälmann, age twenty-four, is calling on his fellow soldiers to put down their guns and join him in the communist struggle at home. When Hamburg’s Police Commissioner blocks a much-needed food shipment to the workers of Petrograd, Ernst battles to see it allowed through. Until his murder on August 18, 1944, Ernst remained true to his political convictions in the face of many setbacks.

Tom, a 17-year-old window design apprentice, dreams about true love. One day, a new girl from East Berlin moves to town. Tom has a crush on her and will do anything to impress her. When he finds out that she plans to become an actress, he even discovers the aspiration to perform himself. For a while, Tom is on cloud 9.

After a breakdown, Rita returns to her childhood village in 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; how his enthusiasm about his new chemical process turned to bitter disappointment in the face of official rejection; how he escaped to West Berlin a few weeks before the Wall was built and hoped that she would follow him …

Erika and Rüdiger Dörge, both doctors, had had a long happy marriage. One day an incident occurs in the clinic where they both work, which Dr. Erika Dörge shows all of this in a new light: a seriously ill patient is struggling with death. The responsible doctor on duty, Dr. Hartke is not present, as it would have been her duty. Head physician Professor Dörge judges this misconduct, contrary to Erika's expectations, rather mildly. Erika suspects her husband is in love with the young doctor.