Inspired by American TV movies like "Hitchcock Theater" and "The Twilight Zone," the show features multiple works with Tamori as the storyteller and actors as the main characters. While horror and supernatural themes are predominant, a variety of genres like comedy and drama are also produced. Most episodes, however, have a bad ending.

Four young physicians are assigned to the “Doctor Helicopter” system, the latest medical system where a medical team is dispatched to the patients via helicopter to provide medical care in the field as soon as possible. The doctors experience traumatic medical situations, deal with personal ambitions, and witness the fragility of life, all while growing personally and professionally.

No synopsis available yet.

Saka no Ue no Kumo is an NHK 21st Century special drama which was aired over three years starting from November 29, 2009. The series runs 13 episodes at 90 minutes each. The first series, with 5 episodes, was broadcast in 2009, while series two and three, each with 4 episodes, were broadcast in late 2010 and 2011. While most episodes were shot in Japan, one of the episodes in series two was shot in Latvia. The TV series is based on the novel Saka no ue no kumo by Ryōtarō Shiba and adopted by Hisashi Nozawa. The theme song of the drama series is titled "Stand Alone". It was composed by Joe Hisaishi, written by Kundo Koyama and performed by British soprano singer Sarah Brightman.

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

A dramatized biography of the second of Japan's three legendary leaders. Rising from obscurity, Hideyoshi served under the command of Oda Nobunaga. With an extraordinary combination of intelligence, bravery and military skill, Hideyoshi rose to near-absolute power and greatly expanded upon Nobunaga's unification of Japan's warlords. This series also focused on Hideyoshi's personal life, particularly his relationships with his mother and his wife, and the pair's rivalry for influence over him.

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Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

University student Sugishita Nozomi, Naruse Shinji, Ando Nozomi and Nishizaki Masato end up coming upon the scene of the murder of the Noguchi couple, because of a plan they had devised. Nishizaki is arrested at the scene and is given a 10-year prison term because of his voluntary confession. 10 years later, Takano Shigeru, a former police officer who has misgivings about the verdict of this case, starts to pursue the truth. He is convinced that it all began as a result of an incident caused by Nozomi and Naruse on an island in the Seto Inland Sea in the summer 15 years. “They committed a crime at that time. It was for the sake of each N.”

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

This is the story about the a very powerful Lady Kasuga who established Ooku the inner palace.

The lead, Dr. Sadami Shiratori worked in the operating room at a famous Tokyo hospital was around death on a daily basis. His own father, Teizo Shiratori is also a doctor, called Grandfather as he raised the estranged children of his wayward son, he practiced medicine in a small town on Hokkaido, Japan’s most northern island. His practice was limited only to terminal patients…in their own homes. He cared for them and helped both them and their families prepare for the ‘final journey’.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

A detective goes out of his way to crack the case of a serial killer who specialises in murdering police officers.

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Two rival gangs of gangsters clash for dominance of a neighborhood.

Izumo no Okuni was born about 1571. This time period in Japanese history was fraught with struggle. It was known as the Period of Warring States, that is, the land barrons (daimyo) fought against one another for power. Her father was a blacksmith for the Izumo Grand Shrine and, consequently, the family served as well. It was a custom to send priests and young women, such as Buddhist nuns, among others to solicit contributions. Izumo was sent to Kyoto to perform sacred dances and songs. Her Okuni Kabuki was known and applauded throughout the land. After 25 years she retired.

Yoko always seems to say and do the right thing and has forever been the center of attention. Her younger sister, Tsukiko, having been compared to her sister since birth cannot help but feel inferior. Yoko has benefited from this situation for so long that she expects it to last forever. However, when Tsukiko's career takes a turn for the better and she gets engaged, Yoko feels that she must somehow sabotage her sister's success since her own career and marriage are not faring well. Tsukiko decides to defend herself, and the resultant feud threatens to ensnare their family and loved ones.

Onna Hitori Daichi wo Yuku (A Lonely Woman in a Lonely Land, Kinuta Production, 1953) was the second feature film directed by Kamei Fumio, who is known as a master of documentary films, and followed his “Haha Nareba Onna Nareba(Become a Mother, Become a Woman)” (1952).