This film tells two independent stories from the Mahabharata. The first part features the princess Savitri, who stands by her husband, the woodcutter Satyavan, when he is marked by Yama, the god of Death. When Yama fulfills his prophecy and takes away Satyavan's life, Savitri pleads with him and eventually wins her husband back. There are extraordinary scenes showing Savitri's pleas with the god sitting astride a buffalo somewhere between heaven and earth, intercut with shots of the couple's idyllic life as Savitri tends to her blind parents-in-law. The second half narrates the legend of Sukanya, the daughter of Sharyati. Seeing a large ant-hill, and unaware that it has been built over the meditating sage Chyvana, she blinds the sage and, in return, is forced to marry him. She tends to the old and decrepit man, and he changes into a handsome youth.

A blacksmith named Budhwa, who is "too ugly to get a life-mate," is set to marry a woman named Maina. However, Maina is secretly in love with another man and has to make a difficult decision on her wedding night. The film follows the chain of events that unfold after this choice, as Budhwa and Maina's lives become intertwined in unexpected ways.

Based on a popular legend, this silent film tells the story of the fairy Bakavali and her divine flower, the Gul, which possesses healing powers. Taj-ul-Mulk, a prince from the East, seeks the flower to cure his blind father. The legend's origins are debated: one version traces it to a 19th-century translation of a Persian tale, while another points to a 16th-century narrative from Abely Sheikh. The story was a favorite on the Parsee stage, particularly the scenes where Taj-ul-Mulk battles his villainous brothers, who steal the flower. The tale also features Bakavali turning to stone and her eventual human rebirth.

A silent social drama exploring themes of treason and retribution. The film would have told a moralistic tale about a character who acts as an "enemy of the nation" and faces divine or karmic punishment for their actions.