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A-Tek is on a quest to find his favorite metal band, Chthonic, and persuade them to play a benefit protest concert in his southern Taiwan hometown. Can music save a Taiwanese homeowner from a Chinese land grab? He sure hopes so.

No synopsis available yet.

Freddy Lim is a founder and singer of the famous black metal band Chthonic from Taiwan. Apart from that, he has been a member of the Taiwanese parliament since 2016, sitting on the committees for National Defence and Foreign Affairs. He is a member of a coalition working closely with Taiwan's first-ever female president. The film accompanies the rock star politician for his first year in political office as he opposes China's policy towards Taiwan and Tibet. As an activist fighting for human rights, he meets with the Dalai Lama, but also takes part in Donald Trump's inauguration even though he has many reservations about him. Freddy Lim is on the front line. But he still occasionally puts on his face paint and sings in a diabolical voice at the front of his black metal band. Strangely, the two worlds are coming together.

With unprecedented access to Taiwan's sitting head of state, director Vanessa Hope investigates the election and tenure of Tsai Ing-wen, the first female president of Taiwan.

The year is 1943 and Taiwan is under Japanese colonization. After finishing his studies in Japan, famous Taiwanese sculptor and painter Ching-Cheng Huang receives an offer to teach in Beiping Art School. He decides to visit friends and family back home before leaving for China. He boards the passenger liner "Takachiho Maru" in Kobe, Japan, with his girlfriend, a pianist. Tragically, the luxurious liner is torpedoed by an American submarine and sinks off the coast of Keelung, Taiwan. Decades later, Shou-shou, a fine art restorer with a crippling illness, finds one of Huang's paintings in an exhibition. As she restores the painting, Shou-shou learns about the artist, the stories behind his work and his death at sea. She recreates the story of the painting "Woman in Black", and romantically imagines the ways the artist painted his girlfriend. The more she studies, the more she was inspired by Huang's value of art and of life. Restoring Huang's painting thus becomes Shou-shou's way of ...