The debut film of the director that won the National Award for depicting with realistic vigour the exploitation perpetrated on the tribal and the landless, for portraying the spirited fight of the downtrodden and for showing great maturity in the conception and presentation of the theme in this maiden venture.

Dibakar, a humble factory worker sets out with his wife for his marital home in Choto Bokulpur as his wife was disturbed after hearing the news of unrest and violence there. She wants to assure that her parents are safe amidst the revolution of the peasants which the police and army were trying hard to suppress. As they reach the outskirts of the village they are stopped by few men who start questioning them. They are thoroughly searched and their luggage is thrown open to check if they are revolutionaries. They get no evidence against them in their luggage. But, when Dibakar is searched they find a paan wrapped in a piece of paper bearing an advertisement lauding the brave efforts of the revolutionaries and condemning the tortures of the suppressors. Despite Dibakar’s repeated assurance that he isn’t a revolutionary they kill him mercilessly and thus ends an innocent life.

Makhan, an ordinary man, climbs the ladder and becomes a big businessman after losing his mundane job. However, his happiness is short-lived when his greed compels him to do something drastic. Based on a story by Manik Bandyopadhyay.

The younger brother-in-law pays back to the widow of his brother.