2015 saw 30 years since the “Battle of the Beanfield” – a brutal crackdown on the annual Stonehenge Free Festival. Called away from policing the miners’ strike, officers enforced an injunction around the ancient stones with bloody violence and mass arrests. Determined to mark the anniversary, Breach set out to create a historical re-enactment - interviewing a traveller, a police officer and a journalist before driving to Wiltshire armed with homemade riot gear, a map and a video camera. In this multimedia show, the footage is intercut with a live performance attempting to capture the 2015 summer solstice at Stonehenge: there are hot dog stands, Hare Krishnas and MDMA, as a group of young people try to connect—but it all feels a bit fake.

Life on the road isn’t quite what Ella and her girlfriend Katie dreamed of when they quit their jobs and drove off in pursuit of the #VanLife dream. The pressure of churning out sponsored social media posts to fund their new lifestyle has taken its toll on their relationship and for Katie, they’ve reached the end of the road. When Ella makes a deal with her to shoot one last ad for an organic dog food brand, neither of them are quite prepared for the challenges of torrential weather and a bloodthirsty terrier. Gaia is a bleak British comedy, savagely skewering the fantasy of getting away from it all.

As Ellice gets low, her room gets messy - she never sees it coming, but it always happens. There seems to be no way to break out of the endless highs or lows that make up bipolar, or even to pick up her clothes up off the floor.

A gripping dramatisation of the 1612 trial of Agostino Tassi for the rape of the young painter Artemisia Gentileschi. Based on surviving court transcripts, Breach Theatre’s award-winning show blends history, myth and contemporary commentary to ask: how much has really changed in the last four centuries?

The neighbours next-door have loud and hot sex. Catherine, an introverted data analyst who lives alone, is deeply involved.