Charleston is a 1977 Italian comedy film written and directed by Marcello Fondato. It reprises the style of the film The Sting.

A top undercover cop finds and arrests a series of purse snatchers until he discovers an American at the top of an evil ring of thieves.

A chief police inspector investigates the disappearance of a 25-year-old woman, the daughter of a lonely widower. After she turns up dead, the cops race to find the killers before the grieving father does

Four episodes. A pilot is ready to change sex, but the doctor made an error. A woman is searching a partner for a dance contest. A worker seduce his boss wife. A guard is too much proactive and this will cause many troubles.

The upright prof. Filippo Bottini Said Pippo is an "old-fashioned" teacher in a Roman school. He would like a Heart book-style school but clashes with the harsh reality of modern teaching and in particular with the turmoil of the seventies: strikes, occupations, armed students, feminist colleagues. Overwhelmed by events, he will find himself more and more in the maelstrom of the post-1968 protest until he becomes a drug courier. He will be arrested and incarcerated, but thanks to the release on bail provided by his colleague Lalla, with whom he had in the meantime started a relationship, he will be able to redeem himself.

In a dystopian Venice, humble fisherman Felice finds out his deceased wife isn't actually dead, having faked her suicide to disappear from his life. Only, now she's back, and wants their daughter too!

The inspiration, as the title tells, was Les Chants de Maldoror (The Songs of Maldoror). Cavallone followed only loosely the poem, interpolating some of its most outrageous content within the story of a film director, Paolo (Gianni Garko) who’s undergoing a deep personal crisis. The first part (which producer Giuseppe Tortorella labelled "mythological porn") is set in Italy, as Marco is working on a film called Maldoror, and focuses on his tormented relationship with a married woman, Monica (Jane Avril). According to the script, it was filled with excessive and cruel images, extracts from the film-within-a-film which were liberally spliced within the plot, and in their uneasiness somehow predated Pasolini’s Salò.

Stefano is a young mechanic who would like to become a discreet boxer by faithfully following the advice of his wise uncle: but in his life Giulia appears, a good girl who happens to be present at a meeting of our hero who immediately falls in love with her

Mondo style documentary about European nightlife.

"L'amore e' cieco "Discovered by the usher Capocchia in intimacy with an employee, Ernesto Rossi is fired by Mr. Bani. Pretending to be blind, Rossi retaliates by seducing Mrs. Bani in the sleeping car; but in the morning, he surprised to have been robbed of the 9 million from the liquidation. "Pane sicuro" The industrialist Santucci, attracted by the graces of the servant Margherita, takes her to his villa where, blackmailed by her and her husband Carlo, he will have to promise a job to them and to the Margherita's brother. "Un bisogno urgente" Franco Pennacchi, because of his wife who forced him to gulp down a yogurt, is in urgent need to satisfy needs that put him in serious embarrassment at the airport. in the house of the lover and in the inside of the immobilized elevator of his own house. "L'erede" Having died Adolfo III of the Bisi counts, the notary Guidi communicates the will of the deceased to the widow Countess Ada and the parish priest Don Enzo.

Federico Altarini is a Dancer of Southern Italy that teaches the smooth in Emilia Romagna countries. Celeste Cucustella will ask for private dance lessons to conquer a man in a dance competition. But someone tries to enrapture two issues of patrimony.

European night-club attractions and their sexy numbers.