It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters but have spent a summer in Greece at the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk.

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

The closing of a student film program serves as a paradigm for interrogating the corporate ideology that guides the largest public university in the USA: the University of Texas at Austin.

A documentary that takes a look at the production of BEFORE MIDNIGHT. As the film starts, Richard Linklater, Julie Delpy and Ethan Hawke are sitting around as filming has just completed. From here we get some terrific stories as they talk about the characters as well as what they bring and take from them. We also get footage from the filming of the movie where we get to see how the actors and director work together to try and build up the scenes.

Athina Rachel Tsangari has become one of the foremost figures of the so-called “Greek Weird Wave”—a movement characterized by its fascination with human behavior, bitingly absurdist humor, and arresting visual style—both as a director and as a producer for contemporaries such as Yorgos Lanthimos. Her films, however, showcase a bold vision that goes way beyond the merely “weird,” offering a provocative perspective on family, sexuality, power dynamics, and the inherent strangeness of human interaction. In this original documentary, David Thompson travels to the Greek island of Hydra to meet up with Tsangari and discuss her directorial philosophy and what it means to “live cinema.”