Four nameless people -- the old man, the woman, the soldier, and the gambler -- journey to a desolate wasteland beyond the limits of an unnamed city.

Nineteen people with differing degrees of visual impairment – from mild nearsightedness to total blindness – discuss how they see themselves, how they see others and how they perceive the world. Unusual images, of burning trees or empty deserts, link the interviews, which vary from deep to funny to poetic.

How do blind people perceive the world and which sensory impressions remain hidden from sighted people? The experimental film explores this question in a multi-layered way. A sculptor's workshop, a painting museum and an orchestra become the settings for the richness that the perceptions of the different senses bring with them. Sound and image merge and bring the theme to life.

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

This feature-length documentary about Professor Jože Dolmark shows the protagonist as a man of many insights, interests and talents; as an art historian, an authority on literature and the history of cinema and photography, a film critic, cineaste, screenwriter, actor, and above all an extraordinary teacher and professor, and in a new light: intimately, through anecdotes and his world view, as befits a man of his greatness. Jože Dolmark is a brilliant intellectual, an eloquent speaker, and an astute observer of Slovenian culture, cinema, and life at large.