Alfred Eaton, an ambitious young executive, climbs to the top of New York's financial world as his marriage crumbles. At the brink of attaining his career goals, he is forced to choose between business success, married to the beautiful, but unfaithful Mary and starting over with his true love, the much younger Natalie.

Joe O'Hara finds out he has a damaged optic nerve just before a boxing match for the title. He needs the money badly, so he doesn't delay the fight. The opponent discovers Joe's weakness and pounds on his eyes, causing him to go blind.

Ellison is the star searching for the killer of his parents while Hayden's a not-too-bad bandit leader.

An outlaw impersonates Shamrock in order to lease his land to an oil company for $75,000.

Two con-men from the East come out West to join up with Avery. They plan to steal the Lopez diamond from Don Lopez. With the drought, Lopez has sold all of his other jewels for gold so that he can take his people to a better place to live and work. Dean and Soapy try to protect Lopez, but Avery and his gang steal the gold and look forward to stealing the diamond necklace. When Maria offers to become partners with Barrit, it looks bad for Lopez.

The Shamrock Kid, Lucky, and The Colonel get caught in a feud between outlaws and homesteaders.

Shamrock and Lucky team up to drive the Tulliver Brothers out of Heldorado.

As a boy, Shamrock's parents were killed. He took possession of a pistol belonging to his father, a famous marshal. Now that he is grown, he takes the job of marshal and uses the same gun, but he still has to solve the mystery of what happened to his parents.

In this remake of No Man's Range (1935), Shamrock travels to the ranch of his stepfather who he has never met and finds himself caught in the middle of a range war.

Marshals Lash and Fuzzy are sent to get the goods on Duce Rago. To join Rago's gang, Lash decides to pose as an outlaw by wearing the known belt buckle of a notorious outlaw.

There's a dispute over water rights, and every lawman that arrives to settle the score is killed. It's up to Lash to settle the score and find out who is behind all the killings.

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.

Cattle thieves attack every cattle drive that comes near Hagerstown. If they do not sell their cattle for 50 cents on the dollar, they are all stolen. U.S. Marshal Stormy has been sent to end this reign of terror and to find the stolen cattle. He starts with a patrol of cattleman that blast every attempt of the outlaws to steal the herd.

In this western, two cowboys are framed as cattle rustlers and tossed in the pokey. Later, honest ranchers spring them and together they ride out against the rustlers.

Lash and Fuzzy have been sent to escort the new Governor to the Capitol City. West and his outlaw gang are out to stop them. When Lash's first attempt is foiled, he realizes the Governor's supposedly deaf and dumb servant is the informant and sets a trap for the gang.

Having sent Deuce Rago to prison in Frontier Revenge (1948), Lash finds he's out and his outlaw gang are at it again. This time he has the Lawyer Leonard and Joan to help him out and Lash and Fuzzy must bring him in once more.

Filmed on location in seven different states during 1980-1981, America’s most loved and original music genre is the subject of “That’s Bluegrass”. This care-free, fast-moving documentary lovingly examines our home-grown musical heritage from the simple front porch fiddler to famous Nashville recording stars, listening in as accomplished amateurs do some “pickin and grinning” at outdoor festivals and play songs handed down from generation to generation.

Longtime fans of bluegrass music and those only recently discovering it will appreciate this documentary on the genre, which was born of a combination of African and Celtic sounds and is the base of American country music. This film traces the musical form from its Appalachian roots to the present. The rise, fall, and consistent revival of bluegrass chronicled through oral history and visual record, resulting in a priceless film that even casual fans are sure to enjoy.