An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

Based on a true operation by Israeli commandos. An Air France flight is hijacked by the Popular Front for the Liberation of Palestine. The airplane landed in Uganda. The terrorists released some passengers, keeping 94 Jews and 12 air crew hostage. The Israeli government would not negotiate. A rescue plan was devised, and less than 100 commandos were flown across Africa to rescue the passengers in surprisingly successful operation.

Cynthia inherits a large estate and moves in. She reads her aunt's diary and finds out how she was taught in the ways of love by her gardener in 1901 at the age of 21. She decides to continue the fruitful relationship and gets it on with the handsome young gardener herself.

Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age, who immediately and unexpectedly captures his heart.

Cynthia, new lady of Chatterly, feels neglected by her husband. During his absences she tries to amuse herself with gardener Thomas, but always gets interrupted by new visitors. While she's busy her staff amuses itself. One of her guests is a professor who wants to do research in her land-seat. He's quite repressed, but she knows how to lighten him up.

A sophisticated computer named IFR (the film's title is its nickname) supervises an organization dedicated to correcting wrongs against the defenseless and assigns human operatives to track down the evildoers and bring them to justice non-violently.

The adventures and mishaps of four couples, winners on a TV game show, along with their young chaperone, on a Hawaiian holiday.

Turn off the alarms and throw away the keys as these two comics set the inmates of Arizona State Prison rolling with laughter.

Complete collection of music-videos from Pat Benatar. Featuring never-before-scene concert footage, original commentary by Pat Benatar & Neil Giraldo, as well as vintage performances from the Benatar archives.