Yumi, a writer of a science magazine, witnesses a mysterious death of a high school girl who received a "one missed call" from her own cell phone, two weeks in the future. The disturbing message on the cell phone turns out to be the screams of the victim.

In 2018, director Sakamoto was working on a script for his new movie "Baby Assassins." He learns of a hitman business network called "Kansai Hitman Association" and applies for interviews as a reference for writing scripts. He is introduced to Masayuki Kunioka, a freelancer who is known as the strongest hitman in Kyoto. Sakamoto decides to follow Kunioka in his day-to-day life. One day, Kunioka kills the wrong person due to miscommunication with the client and is targeted by both the hitmen sent from the furious client and those who are aiming for revenge on behalf of the victim.

Ordinary college students dropped by a strange village on the way to their camp. Persuaded by a seemingly friendly villager to stay over, but brutal killings start to occur in the following morning.

Kakame, the evil mud through which a frustrated artist filled his revenge spirit, returns to the charge in this direct continuation of Vampire Clay.

Ayaka, a beauty college student who loves makeup, is sexually assaulted by a self-proclaimed movie director, Kunijima, who she met at a club one day. Ayaka is mentally ill because she has to cry and fall asleep, but she gradually regains her ego by meeting Satomi, a graduate student, and Yumi, an apparel clerk. However, when Ayaka learns that Kunijima's next target is Yumi, she suddenly kills Kunijima, and while processing the corpse, she realizes that human blood is the ideal cosmetic ingredient.

In this deranged and unpredictable comedy, a passionate aficionado of bread stages a revolution against a tyrannical baker.