Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

When Panni visits her father in the summer, the teenage girl becomes suspicious of Attila's aloofness, which is in fact a cover for his cancer. The secrecy drives a wedge between them.

Nightmares submerge into reality and intertwine as we follow the everyday lives of ordinary people living in a parallel reality called The Quarantine Zone during the pandemic lockdown of 2020/21.

The film adaptation of the legendary puppet show "Nothing" has created a strange new genre, where the relationship between puppets and their actors is even more vivid, as the viewer's gaze is guided by the camera. The fusion of close-ups and totals, of orchestral numbers recorded like clips, of meta-scapes shining through from the theatrical space, of the puppet and actor work in the performance, has resulted in an unusual youth television puppet show applied to the optics of the camera.