Artistically inclined villager Avdhut Kale struggles to find his place in the metropolis of Pune. His work and the mounting societal pressures of what is expected of him is a disconnect from his true self. Moreover, his passivity towards life is made apparent through his discourses with friends and family, who voice their perspective of life. Trijya traces the journey of Avdhut and how he faces the reality of his own dreams and aspirations about life in a large Indian city. It takes us through the challenges of today's modern way of life and the compromises one inevitably makes along the way to find peace and a place we can call our own.

The road ahead might be straight and even, but human character is shaped by the journey thereon. Sagar and his father set out to invite their far-off relatives to Sagar's wedding. But the venture is not as easy. Sagar has left his job in Pune in order to live with his parents in the village and work as a farmer. "Farmers are not good suitors", yet somehow Sagar has found a bride and they are about to be married. Sagar and his father are always at odds against each other for no particular reason. This father-son tension characterises their journey, their relationship in the hands of the dust and the soil of the road.