The Bund is a Hong Kong period drama television series first broadcast on TVB in 1980. It is praised as the Godfather of the east and spawned several sequels, remakes and film adaptations. The theme song of the series, performed by Frances Yip, also became a memorable Cantopop hit.

The Duke of Mount Deer is a Hong Kong television series adapted from Louis Cha's novel The Deer and the Cauldron. It was first aired on TVB in 1984.

The Return of Luk Siu-fung is a 1986 Hong Kong television series adapted from Gu Long's Lu Xiaofeng novel series. The series was first aired on TVB in Hong Kong in 1986.

The Foundation is a TVB television series, premiered in 1984. Theme song "In Dream Several Sorrow" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Michelle Pau, and the sub theme song "I Cannot See My Tears Flow" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Michelle Pau.

The Adventurers is a TVB television series, premiered in 1980. Theme song "The Adventurer's", and the sub theme song "The Sentimental Debts" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Jenny Tseng.

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Based on a wuxia novel of the same name by Jin Yong, The Flying Fox of Snowy Mountain tells a story of a swordsman name Wu Fei who grows up and goes in search of his Father's murderer to avenge him. Along the way he faces trials and turbulence, and finds out there is more to his father's death than what he was told.

The Buddha's Palm, a technique by which an ordinary hand is transformed into a formidable force. Ku, a blind recluse living in a cave, knows its secret, which proves to be as much a blessing as a curse as it attracts all manner of mayhem.

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The Bund II is a Hong Kong period drama television series broadcast on TVB in 1980. It is a direct sequel to The Bund, also produced and released by TVB earlier in the same year. A sequel, The Bund III, was released by TVB later that year.

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"Bei Zheng" is an honest and upright hero who seeks to help others. He operates a clinic in the small town of Pu Ren Lane, with the help of assistants like "Lu Cheng," "Lü Ren," and "Mao Shi Jun." His friend's son, "Fong Chun," comes to learn from him and becomes an invaluable aide. The owner of the inn who rents out a storefront to "Bei Zheng" is infatuated with him, but he only has eyes for "Bai Su Yi". "Fong Chun" initially dislikes living with "Bei Zheng" but eventually sees the value in his work and learns from him. He abandons his career as a royal physician to follow "Bei Zheng's" aspirations. "Fong Chun" was initially engaged to "Bai Jing Wen," but he falls in love with "Xiao Qian," a prostitute. Their love affair leads to a tragic end when "Xiao Qian" is killed by "Bai Jing Wen."

During the Tang Dynasty, Emperor Taizong favored his concubine Wu Meiniang. She fell in love with the crown prince Li Zhi, and the emperor asked her to become a nun before he died, with the promise that Li Zhi would bring her back to the palace in three years. Wu returned as the Empress Dowager and eliminated her rivals. After Li Zhi's death, Wu continued to control politics, even deposing his successor, Li Zhe, and proclaimed herself as the first female emperor, changing the name of the dynasty to Zhou. With the help of loyal ministers, Li Zhe was eventually reinstated, and the Tang dynasty was restored.

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"Happy Together" portrays the daily life of the Man family, reflecting the living conditions of a typical Hong Kong family. For example, the family participates in property speculation and loses miserably, the wife works outside and causes dissatisfaction from her husband, the wife plans to invest in immigrating to a foreign country as a backup plan, middle-aged men having extramarital affairs, the wife's younger brother "Ah Chai" applies for public housing, the wife's shopping addiction, divorce between Zhu Zaibao and Dan Nao, the robbery of the Man family, Mr. Man's desire to return to mainland China for business, and Yue being forced by his mother to sell ginger as a street vendor. These were common events among Hong Kong people at the time, and the show brought these topics to television, resonating with the audience.

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