After fun-loving metalhead Jacek is disfigured in an accident at work, he becomes the first person in Poland to receive a face transplant. This leads to his status as a media spectacle and martyr, all while battling ensuing identity issues as a consequence.

Aaa, Billy, Dawid, Filipka, and Olo perform, support each other, and protest, facing a hostile environment for queer people in Poland. In his first feature-length film, artist and choreographer Alex Baczyński-Jenkins accompanied this group of friends for a few years.

Daniel is respected by his village community as long as he bravely supports the fight for their affairs. He is in love with the boy next door, Olek, who is not ready to reveal his sexual identity. Their relationship develops in secret. When a teenage friend can no longer take homophobic attacks and commits a suicide, Daniel tries to convince the villagers to organise a service of the Stations of the Cross together for the intention of the victim.

Directors Katarzyna Iskra and Justyna Pelc encourage several characters to surrender themselves to the hands of a therapist offering non-erotic touch sessions. The soothing effect of this unusual procedure also affects us, reminding us that cinema has the potential to be not only a space for reflection but also relaxation.