Pink film directed by Tarô Araki.

Two Japanese friends accidentally kill their boss and dump his remains in Black Fuji, a mountain/landfill hybrid. This leads to poor results when the chemicals of the landfill mix with the corpse (and many other corpses) to give rise to a zombie infestation in Tokyo.

Natsuo, a rookie detective and closeted gay man, secretly admires his calm and stoic senior, Kirino. During a late-night pursuit of a convenience-store thief, the two are overpowered and assaulted, leaving Natsuo shattered and disillusioned. While he begins to distance himself from Koide, the man he once connected with, Koide unexpectedly encounters Kirino at a bar, leading to a dangerous entanglement. As desire, betrayal, and trauma collide, the three officers are pulled into a dark triangle where love and danger blur—and finding a way out becomes increasingly uncertain.

Pink film directed by Tarô Araki

Pink film directed by Tarô Araki.

Kazuo met Kayo—a hostess with an unglamorous appearance and a lack of overt sex appeal—at a bar; he began frequenting the establishment and eventually secured a date with her. On the day of the date, Kayo was dressed just as plainly as before; when Kazuo asked why, she explained that she was hiding burn marks. That night, the two became intimate in a hotel room, though Kayo refused to let him remove her *yukata*. Unable to suppress his curiosity, Kazuo undressed her while she slept, revealing burn scars on her thighs and linear scars across her abdomen...