Rana (Puri Banai) and her father (Ezzatullah Voshoq) meet Ali Surchi (Mohammad Ali Bandani). Jabbar (Gholamreza Sarkoob) is in love with Rana, but Rana marries Ali without her father's knowledge. Ali is taken out of town by Jabbar's friend (Jamshid Narsi) and Farangis (Farangis Forouhar) and is stabbed to death by Jabbar. When Rana's father finds out that his daughter is pregnant, he dies of a fit of rage. Rana pawns her father's inherited house to a broker (Mohsen Arasteh) and keeps Ali's car as a keepsake, And with the help of Sadeq (Seyed Ali Miri), she raises her son Ali (Mohammad Reza Fazeli). Years later, Jabbar spreads rumors that Ali is an illegitimate child; but Farangis reveals the matter of Ali's murder to her son. Farangis is killed by Jabbar, and after Ali kills Jabbar and his friend, he kidnaps his daughter Leila (Nazanin). Ali's mother chases them, and Ali falls under the wheels of a cart and is finally arrested by the police.

Hamid and his wife Maryam are getting ready to throw a birthday party for their daughter Parvin.

Gholam, returning home one night, witnesses a murder on Lalehzar Street and goes to the local police station to report the crime.

A relatively wealthy family takes a child from a village to the city to serve in their house. The child patiently and dedicatedly uses his minimal free time for education and becomes an active and valuable person in his youth. While Hamid, the eldest son of the family, who grew up in prosperity, becomes a delinquent youth. The two fall in love with a young girl.

Seventeen days till execution.

Agha Moochool, the entertainer, amuses the neighborhood kids with dancing and singing.

Haji Jabbar is a wealthy man, who is chided constantly by his family for avarice. Haji intends to marry off his daughter, Parvin, to a wealthy old man. He has no regard for the love existing between Parvin and her cousin. He does not care for his son, Hamid, who, due to negligence, is on the verge of a breakdown. In an elaborate fantasy sequence which makes up the last third of the film, Haji finds himself in hell, witness to all sorts of macabre and elaborate tortures and horrors. The film is noted for its elaborate set pieces which recall Méliès. There is even a sequence involving Hitler in hell!

Amir, Nader, and Mansour are trying to raise money to treat a girl who lost her family in an accident and is suffering from a mental disorder.

The story of the love between Morad and Narges.

A young villager loves the landlord's daughter, while his sister is in love with the landlord's son. The landlord is initially furious about this, but later agrees to his son marrying the village girl. He tells the young villager that he will only agree to his marriage to his daughter if he earns a lot of money. The young villager manages to get the money during an incident. However, the landlord's daughter falls ill from missing the young villager. The landlord searches for the young man. Eventually, he finds him and, dropping his earlier condition, agrees to their marriage.

Mohsen is a rich man who went bankrupt in a deal and borrowed some money from an old woman named Nowbar to sort out his business... The notable point is Ali Miri's performance in a negative role.

After being fired from his job, Hassan, a young daydreamer ekes out a living making masks of Haji Jabbar, the main character of 'Party in Hell'. Hassan is in love with a rich man's daughter, but when he asks for her hand, the rich man sends him and his friend away in a humiliating way. At night Haji Jabbar's apparition visits Hassan and takes him on an overnight trip to Paris...

No synopsis available yet.

The three youngsters decide to buy a plot of land and create an orphanage for orphans. They fail and the three young men get the piece of land.

A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.

Mirza is interested in Laila, Ramadan's daughter, but her daughter and her family are against this relationship. Leila is interested in a young worker named Ahmed. Mirza and his servant Rajab catch a fish from the river, which has a legendary ring in its belly. By reading the writing on the ring, they encounter a giant who calls himself Jumbo, and Mirza asks the giant to provide them with a large fortune. After becoming rich, Mirza calls himself Qaroon and proposes to Leila. Laila's parents agree to her request, but Laila herself, who is against the medicine her mother gives her, agrees to the marriage.

No synopsis available yet.

No synopsis available yet.

A man has four children, one of which is not his real child. There is a rivalry between this adopted child and one of the man's real sons. As a final blow, the real son shares the fact that his identity is fake with the adopted brother. The boy followed the matter and found his dying mother and through her he finally found his real father before he passed away.

Amir, Naser and Mansour try hard to obtain ten thousand Tomans in order to release Narges's father from prison. At the same time, a runaway thief throws a bag full of money into their house. After a while, the landlord forces them out and Narges keeps their furniture which includes the bag too. The thief's teammates are searching for the bag but they fail to find it, and finally police arrives and the bag is found and delivered to the owner. The owner gives the young men ten thousand Tomans which they need, and so Narges's father is released.