A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

Cláudia returns to her rural hometown in order to take revenge for the murder of her family a long time ago. She believes that the Flores family committed the crime and tries to destroy them....

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

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Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

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No synopsis available yet.

No synopsis available yet.

It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.

São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.

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Writer and poet Clarice Lispector investigates and develops the old question of what came first, the egg or the chicken.

An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

An innocent working girl finds a hole in her wall through which she can see the action in her neighboring apartment, where a prostitute meets her bizarre clients.

Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.

In a circus, the big act is that of the knife thrower, assisted by his wife. The couple takes risks in real life, in a show of great skill and coldness, which respects a blood treaty.

The real story of Carlos Lamarca, a captain who, during the military dictatorship in Brazil, deserted Brazilian Army and got involved in left-wing guerilla groups, becoming one of their most prominent leaders.

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.