American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

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Hotel is a TVB television series, premiered on 1 November 1976. Theme song "Hotel" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Susanna Kwan.

The Good, the Bad and the Ugly is a TVB television series, premiered on 1 September 1979. Theme song "The Good, the Bad and the Ugly" composition and arrangement by Joseph Koo, lyricist by Tang Wai Hung, sung by Teresa Cheung.

Vanity Fair is a TVB television series, premiered on January 2, 1978. Theme song "Vanity Fair" composition by Joseph Koo, lyricist by Wong Jim, arrangement by Joseph Koo and Choi Tak Choi, sung by Paula Tsui.

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An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.

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In "13," visionary Hong Kong New Wave director Patrick Tam delivers his final TV work, an 11-episode anthology series that dives into surreal and darkly comic narratives. Although originally slated for 13 episodes, each standalone story explores eerie undercurrents of everyday life. Highlights include a couple discovering a corpse in their apartment, a schoolteacher uncovering the unsettling truth about her hosts, and a strained summer romance influenced by a mysterious housekeeper. "13" mixes black comedy with Tam’s iconic strange flair, creating a thought-provoking exploration of the bizarre hidden beneath the surface.

The fifth episode of Ann Hui and Yim Ho’s “ICAC” Series (1978) around bribery and corruption

The Story of Woo Viet, seven years before they traded wistful looks in An Autumn's Tale. Chow, in one of his earliest and meatiest film roles, plays the title role of Woo Viet, a Vietnamese refugee who hopes to immigrate to the United States.

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

A Japanese photojournalist revisits Vietnam after the liberation to document the nation, and begins following and documenting the young children from a poor Vietnamese family.

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When Fu suffers a heart attack, his relatives hover around him hoping to get a slice of his great wealth. But despite his illness, the old man clings stubbornly to life. So greedy family members plan to murder him, intending to make nurse Daisy a scapegoat.

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San Francisco's Richmond District. A widow welcomes the Chinese New Year. 62 years old, she wants to make a trip to China to pay last respects to her ancestors. A fortune teller has told her this is the year she'll die, and a daughter, Geraldine, remains unmarried. Geraldine's boyfriend lives in Los Angeles and she's not sure she's ready for marriage, nor does she want to leave her mother alone in her declining years. Mrs. Tan's cheerful brother-in-law, Uncle Tam, tries to help out.

Liang Pao-erh joins the carefree Spinsters' Club when she discovers her husband is having an affair. Despite the seemingly happy front that her sisters put on, beneath it all, each of them secretly yearns for a man in her life.

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.