Caro travels to Venezuela to sell her late father’s cacao plantation, only to find the family mansion occupied by its former staff, who are determined to remain at all costs. As Caro takes justice into her own hands to claim the inheritance she believes is hers, she sets off a struggle that unearths the violence buried in the land and its memory.

A young film director returns to Venezuela, inspired to make a film based on his father's life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

To escape the crisis in Venezuela, and his alcoholism, Roque retreats into the Amazon jungle to renovate a cabin he built during happier times. He struggles with feverish visions caused by alcohol abstinence, and his desire for redemption becomes distorted when he joins old friends to work in an illegal gold mine controlled by Colombian guerrillas. The violence required to work in the mine plunges Roque into a cycle of self-destruction that devours his interior. He will need the fortitude to get out and start anew.

Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.