"Darb Al-Zalaq" is a classic Kuwaiti TV series that offers a window into Gulf Arab culture through the comedic and often poignant tale of two brothers, Hussein and Saad. Driven by their desire for quick wealth, they embark on a series of ill-fated business ventures, only to find themselves repeatedly caught in the traps of their own making. Set against the backdrop of a rapidly changing society, the series explores themes of greed, family ties, and the unpredictable twists of fate that are central to Arab storytelling. Through humor and satire, "Darb Al-Zalaq" reflects the challenges of balancing tradition and modernity in the Gulf, making it a cultural touchstone that resonates with audiences across generations.

A Kuwaiti comedic romance drama following the story of an accountant that fell in love with the daughter of his employer.

The story explores the daily lives of a married couple during Ramadan, capturing how they navigate fasting, work, worship, household responsibilities, and parenting. Through their challenges and small victories, the couple learns to balance tradition and modern demands, highlighting the spirit of Ramadan within family life.

A kuwaiti play starring Abdulhussain Abdulredha and Nawal Abu Alfutooh.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

Rashid, a modest meter reader, is smitten with Amina, a gentle and beautiful woman. Visiting her home daily under the pretense of reading the electricity meter, he uses every encounter to charm her. Though she initially resists, Amina gradually falls for his endearing persistence, sparking a warm and playful romance.

Her Excellency the Minister wife , a black comedy that reflects aspects of our bitter reality. There is no doubt that the theatrical drama since the first manifestation of its manifestation until now has not changed the law that Aristotle planned and codified for him, in addition to its dependence on the availability of the requirements of the dramatic conflict whereby he adopted the necessity of events and drew visions through beauty tools The technician is known, however, that the concept of conflict is beginning to change

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