At the dawn of the modern era, Portuguese explorer Ferdinand Magellan leads an expedition under the Spanish crown in search of the first westward route to the Spice Islands. He embarks on a perilous journey across the uncharted Pacific, where his fleet faces starvation, mutiny, and the psychological toll of endless seas. Upon reaching the shores of Cebu, Magellan is pulled into a fatal conflict with the natives by his drive to spread Catholicism, culminating in his tragic doom.

In an area of ​​La Pampa, called Maracó, in the ancestral Mapuche designation, today is the city of General Pico. Murals of a certain town, in a certain time: its streets, cars, motorcycles, posters and some passers-by. The train as the great measure of time and myth. The work and the peronist primary elections. Plus a film festival, a movie and a class. But above all this portrait is measured by the sensitivity of nature and its charm. The street dogs, and their mysterious language, pass through the film like an antenna outside the words.

A film critic with philosophical interests, played by the film critic Roger Koza, wonders about the nature of Nature. And he obsessively tries to capture it with his phone camera. Other experts—filmmakers from different countries, art historians, a scenographer in charge of a natural science museum, and members of the human species from a distant future—think about ways of representating nature. A kaleidoscopic, playful collage, sometimes fiction, sometimes documentary, the film cannot help but wonder about the nature of cinema itself.