Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

While trying to get out of a failing marriage, Raja gets into a steamy affair with Rupsha, a woman with a criminal past. However, he becomes the prime suspect when Rupsha is found dead. What happens next?

The film connects apparently disconnected stories of two men who have lost their way of life as a consequence of unexpected lockout or closure of factory.

A woman tries to uncover the mystery behind a series of mysterious packages from an anonymous sender that threaten her marriage.

This independent feature film is about Gour, a speech-impaired little boy, and his life and adventures in a village in rural West Bengal. The film was crowdfunded by 930 residents of Aranghata village in the district of Nadia, who raised around ₹19L for the making of the film.

In an exploration of grief through the absurd, Priyanka seeks comfort in her conversations with Neha, soon after lighting the pyre of her old father, with whom she shared a difficult relationship.

A popular movie star, the eldest son of his parents, returns to his ancestral village for his father's funeral, only to unearth long-hidden complexities within his family.

The life of a renowned geriatrician, struggling with his personal problems, changes with the arrival of a patient with Alzheimer's disease and his wife.

After Suman suffers an accident, the two women in his life - Meghna, the wife, and Shubhra, the ex-wife - are compelled to meet each other. Ardhangini revolves around the awkward emotional duel between the two wives - past and present - in a time of personal crisis.

Stuti Sanyal, a terminally ill woman who lost her husband in an aviation accident, takes a train to Vellore from her home town, Kolkata. Little does she know that the journey will bring a roller coaster ride of emotions, as a stranger in the train narrates three stories to her. Each one teaches her something about the essence of life, culminating in a life-changing experience.