Pedro, Luis, Raúl and Santi are four friends who feel a bit lost in the new world of empowered women, each trying to adjust in their own haphazard way.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Rosa is about to turn 45 and realises that she's always lived her life to serve everyone else. So she decides to leave it all behind, take charge of her life and fulfil her dream of starting her own business.

Five tales of human vulnerability and the hilarious, painful, and awkward curveballs life throws us.

In the year 2000, Nevenka Fernández, 24 years old, Councilor for Finance in the Ponferrada City Council, suffered relentless persecution, both sentimental and professional, by the mayor, a man accustomed to doing his will politically and personally. She never decides to report, although she knows that she will have to pay a very high price: her environment does not support her, the society of Ponferrada turns its back on her and the media subjects her to a public trial. A story inspired by real events that turns its protagonist into a pioneer by taking an influential and popular politician to court for sexual and workplace harassment for the first time.

1939. A young art conservator from the Prado Museum is interrogated about a missing painting sought by a colonel. 80 years later, her granddaughter looks for her remains in a pit from the Francoist regime.