A young man who showed little promise while a high school student becomes a master detective, just like his grandfather.

Hanzawa Naoki works as a loan manager at the Osaka Nishi branch of Tokyo Central Bank. One day, Hanzawa makes a loan contract for 500 million yen with Nishi Osaka Steel Company. Hanzawa didn't want to approve the loan, but he had to due to the branch manager's order. Nishi Osaka Steel Company seems financially stable, but the company actually hides massive amounts of debt through fraudulent accounts. The company is caught. Three months later, Nishi Osaka Steel Company goes bankrupt. The bank's branch manager is Asano. He is an ambitious man and tries to shift the blame to Hanzawa. Hanzawa then attends an inquiry about the loan failure at the bank's headquarters in Tokyo. Hanzawa denies fault and promises to retrieve the 500 million yen loan. He did this because it's the only way for Hanzawa to survive as a banker.

Kindaichi Hajime is a high school student and a private detective with an IQ of 180. He solves murder cases that are riddled with difficult clues. Kindaichi Hajime works with his childhood friend Nanase Miyuki and Kenmochi Isamu. Kenmochi Isamu is now the chief inspector of the Tokyo Metropolitan Police Department.

A young detective is reassigned to media relations, uncovering the drama and secrets behind the headlines while helping solve crimes.

The series is based on the manga Tokusatsu Gagaga, a comedy manga by Tanba Niwa. Tokusatsu Gagaga series follows Kano Nakamura, an office lady played by Fuka Koshiba, who is secretly a tokusatsu otaku, a toku-ota. She lives her life by the code of tokusatsu heroes and often envisions herself as one as a means to make it through her daily struggles.

The First Investigative Division is the star unit of the Tokyo Metropolitan Police Department. Jun'ichi Ōiwa, the head of the division, leads around 400 elite detectives. He has an extremely heavy responsibility: attends initial investigations at the scenes of all brutal crimes that occur within the metropolis, decides on the course of action of the investigations at the same time as he directs many investigation task forces and gets into investigations himself at the critical phase. However, Ōiwa is definitely not a superman. Amid his suffering, Ōiwa overcomes this grave responsibility and is quite simply a "life-size hero" and "ideal boss" to his subordinates.

This dark medical drama examines the meaning of human life, centring on a team of unidentified black-market doctors who undertake any kind of surgery with superhuman surgical skills and exorbitant medical expenses. Hazama Eisuke, also known as "Ace", is a genius surgeon who works as a patissier during the day. He has an operating room equipped with the latest equipment in the basement of his patisserie, where he performs surgeries on patients who have been abandoned by others. Shimoyamada Jo, also known as "Joker", is a brilliant international lawyer and a negotiator with patients.

The elite DCU fights crime underwater, but just like the turbulent oceans, there is more going on under the surface than meets the eye

Matsunaga Yasuzaemon was a man called “Electricity Monster”. The post-war recovery and high economic growth serve as the basis for him to achieve the breakup and privatisation of the electricity business. As a follower of Fukuzawa Yukichi, he inherited the spirit of independence, self-respect and the people. He rose up alone from the ruins of the war. It was the fight of an unconventional, stubborn old man over 70 with an indomitable will. Minister of Trade and Industry Ikeda Hayato admired Matsunaga like a father while Prime Ministers Yoshida Shigeru and Konoe Fumimaro, Shirasu Jiro (Takagawa Yuya) and others were in awe of his unfathomable passion.

Suzumoto and Sumi creatively master their independent lives while living in a park in Nagoya. In contrast, a middle-class family is caught up in pressure and routine. The two threads of the story gradually intertwine, until a tragic escalation occurs. Shot with a black-and-white documentary feel, yet highly stylized, the film analyzes the contradictions and pathologies of modern society.

In a city where unmarried people are drafted to solve the declining birthrate, 44-year-old unmarried Yoshiko tries to find a marriage partner in order to escape from recruitment.

No synopsis available yet.