No synopsis available yet.

Leonor and Pedro, are young, in love and from different social classes. She is the daughter of a wealthy man. He is from a modest working class family. They experience an intense but dramatically short love affair. When Pedro discovers Leonor’s father’s secret – that he sexually abused a maid – he is the victim of a hit and run accident, leaving him in a deep coma for 5 years. He later awakens to find out that his girlfriend, who was told he had died in the accident, moved on with her life and married someone else, after several years of grieving.

No synopsis available yet.

The daily life of the residents of the "Terraços do Glamour" condominium, on the outskirts of Lisbon, highlights their problems with defective apartments and spoiled facilities due to the developer's false promises.

Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.

No synopsis available yet.

No synopsis available yet.

A study of women in the modern world, a regeneration of what it means to "be a woman", what it means to be the source of life, what it means to be this magical element that generates other beings and changes mood according to the position of the moon.

Film by Henrique Oliveira

A November day in Porto, in a square where skaters jump up a flight of stairs. Three characters share a moment, which is divided into three subjective shots and which, without dialogue, are intended to characterize them emotionally. The idea of shared love is called into question.

Two friends cannot find their way around the city of Lisbon. It is a film, which could be a poem, that has no genre and serves as a bridge between the narratives, forms, and dreams of the characters they encounter.

Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.

Lúcia is a lawyer that works to help women whose the father of the relationship deny the paternity. A job she is very keen about since she doesn't know who her father is.