An in-depth look at the history and pop cultural significance of horror films.

Irving Rapper is, in many ways, Hollywood's forgotten man. After getting his start as a "dialogue director" at Warner Bros. in the mid 30's, he became synonymous with the studio's "women's pictures" and rose in prominence as one of Bette Davis's most consistent collaborators, including on her biggest commercial success, Now Voyager (1942). He was a rebel who led the studio in suspensions for chronically refusing to direct the scripts handed to him by the brass, waiting instead for material that better suited his interests and thematic preoccupations. He was also one in a secretive fraternity of gay directors who had to conceal their identities and shield their private lives from potential public ruination. Daniel Kremer takes you through an unexamined and misunderstood life of a man of great artistic inclination who expressed his innermost yearnings covertly through his work in motion pictures.

Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.

An unparalleled assortment of trailers for some of our favorite films from the 70s that you do not want to miss. Get ready...it's time for the big payback.