The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.

Rose, an older woman living in Paris was born in Poland as a daughter of an aristocratic family. Her family house is now an impoverished home for the elderly.

A three-part Austrian television film about the life of composer Franz Schubert. The title of the film is a quote from Erstarung (Immobilization), the fourth song in Schubert's song cycle Winterreise (Winter Journey).

Wealthy merchant Stanislaw Wokulski falls tragically in love with beautiful yet vain Izabela Lecka. His unfulfilled love leads to many foolish decisions sealing his fate.

In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.

An epic tale of a hundred years of Polish history from the perspective of women, the titular maidens and widows. Set against the backdrop of turbulent historical events.

Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.

A biology professor, Adam enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.

Set in the late '20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.

Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

Difficulty of human relations in a 3-cornered tale: a neurotic woman, idealistic young man and his mother. Tomek is a clean-cut, high-minded geography student. He lives with his mother Zofia, a sensitive, practicing Catholic, like her son. When he meets Julia, a depressed woman older than he, he first tries to comfort her, then invites her to stay with him and his mother. Tomek makes a trip to West Berlin to visit his well-off father. He refuses to take money from him and looks for work as a house painter. Julia ends up in a rest home for treatment, while Tomek is trying to make their relationship work.

During the German occupation of a small Polish town, Franciszek Kłos, a lowly local policeman, will stop at nothing to become a Volksdeutsche. Eager to prove his loyalty, he zealously carries out the occupiers' orders. What begins as administrative compliance soon escalates when he commits his first murder of a fellow Pole. Condemned to death by the Polish underground, Kłos outwardly shrugs off the sentence while quietly drowning his growing fear in alcohol. As his inhibitions crumble, he descends deeper into violence—participating in the roundup and execution of hidden Jews, and earning a reputation for brutality even among the SS.

The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.

The protagonists of the film are residents of a nursing home run by nuns. One of the nuns, Maria, wants to introduce discipline, but it is not easy. The elderly residents decide to fight for their independence. Their plans are thwarted by the departure of the leader of the rebellion. But the men will not give up so easily.

No synopsis available yet.

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

Biographical documentary film presenting the silhouette and artistic path of the outstanding actor Daniel Olbrychski. The narrative of the main character is confronted with his colleagues and friends, in contemporary interviews, including: with Krystyna Janda, Jerzy Hoffman, Krzysztof Zanussi, Volker Schlondorff and Adam Michnik. The archival materials will include statements and excerpts from the realization of scenes from Andrzej Wajda's films. The film roles of the main character are intertwined with his private life.

No synopsis available yet.